asylum-art:

Dan Tobin Smith's sweeping color gradient installation

Dan Tobin Smith's sweeping color gradient installation in his London studio is a sight behold. he wanted to create a huge installation out of thousands of unwanted objects. The result, The First Law of Kipple, opens in a couple of weeks and some early images of it suggest he’s turned all that waste into something rather beautiful…

Tobin Smith has assembled the 200 square metre installation in his studio as part of London Design Festival 2014. It is made up of thousands of objects that he has collected and that have been donated by the public via the website CallForKipple.com.

The objects are arranged chromatically and have been laid out across the studio floor with such care that the colours blend into one another seamlessly: reds flow into browns, pinks and purples; sea greens into shades of turquoise and dark blue.

When it opens on September 13, visitors will be able to walk through the work via a series of pathways.

asylum-art:

Rhys Cooper Femme Fatale

  1. Australian based screen-print artist Rhys Cooper. With a brand new body of work, Rhys embarks on a portrait series of influential women from the world of popular culture. His ‘femme fatales’ come from all over, from childhood stories to comic books, these women are iconic in one prolific way or another. Themes of female power and womanly authority play a large role in this new body of work and imagery of a violent nature, such as barbed thorns and ferocious winds all attribute to the fierce quality of these ladies and create a tense and seductive platform for Rhys’s figures. 

Packed with immense detail and vibrant punchy colors, this series of screen prints are mostly all confined to Rhys’s signature narrow format. This preparation transforms these portraits into war-like banners, especially considering their aggressive aesthetic. With their bold illustrative nature and dark motifs, Rhys transforms the ideological social constructs of femininity and creates a spectacular twist on female heroines, leaving the viewer both a bit terrified and intrigued. 

Femme Fatale seeks to explore the communal social consciousness by presenting figures are both instantly recognizable yet also utterly brand new and unique. His twists on the iconic female leads of childhood takes a mature twist; delving into Rhys’s work is like entering a shadowy surreal world, akin to a fantastical nightmare with a strong female lead.

(via asylum-art)